Those of us entrusted with writing X-MEN:TAS stories only had a couple of weeks to figure out who and what the X-Men were and what they meant to each other and the world. Our bosses wanted 13 half-hour stories sketched out right away. There was no internet. Friends lent me a few old books, but Marvel, edging toward bankruptcy, was 3000 miles away and didn’t have much of a staff to dig through old boxes to ferret out old books that might best reveal the new team’s characters. There were few reprint collections. Fans like Larry Houston, Will Meugniot, and Bob Skir helped with advice, but they had their own jobs to do. Of all things, I found real help at an old-school gaming store, where I picked up a copy of an X-Men “Special Campaign Set.” It had blueprints of the X-Mansion and the Blackbird and detailed histories of the characters. This and a copy of Larry’s “Official Handbook of the Marvel Universe: Master Edition” helped me quickly learn the complex and sometimes contradictory world of 25 years of X-Men storytelling. Fans know this stuff. They know the rules. Mark and Michael and I couldn’t start building stories until we did as well. Thanks to a table-top game and an encyclopedia, we learned fast.